Mastering
​​How do remote sessions work?
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A consultation to chat about your project is recommended to create a bespoke session and support your creative vision.
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Complete the following form to receive an estimated time scale.
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Finalised Mix (WAV) to be sent via WeTransfer, ready for Mastering.
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Mastering sessions are executed at 96 kHz and resampled using iZotope RX 10 to either 44.1 kHz or 48 kHz.
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Constant communication, around-the-clock updates and same-day Delivery​!
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You may want to make changes, so revisions are also available.
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What's included:
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Necessary EQ, Compression and Limiting.
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Noise reduction and click removal using iZotope's RX10.
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Stereo imaging and phase rotation adjustments (where necessary).
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Fade ins/Fade outs where requested.
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44.1kHz / 16 bit or 48 kHz / 24 bit dependant upon application.​
How to Submit:
Follow these handy instructions to correctly submit your Audio Files.
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All files must be submitted at 44.1 kHz / 16 bit or 48 kHz / 24 bit.
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WAV or AIFF file format (no MP3s)
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Stems to be consolidated from the timestamp 00:00 in your DAW, to the end of your Audio.
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Clearly organised and labelled tracks (i.e. Snare Top, Snare Btm).
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Please send a .zip file of your Audio Files, via WeTransfer to dlmusicenquiries@outlook.com
Please note that all Mixing & Mastering services are executed ITB (In The Box), using Industry Standard audio plug-ins - unless stated otherwise.
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Looking for an Analogue Mix / Master?
Oscillate Recordings are proud to offer an arsenal of renown Analogue outboard equipment, including the revered Teletronix LA 2A, Solid State Logic G Bus Compressor, Universal Audio 1176 and Tube Tech CL - 1B, as well as a Neve Genesys Black console.
Please get in touch for a bespoke quote.
